The Mediterranean Dog (Part 2)
ƃop uɐǝuɐɹɹǝʇıpǝɯ ǝɥʇ
Edited by Alex Ross

Instructions for The Mediterranean Dog / ALEX ROSS
Please gather all the art from both floors of the show to the centre and as close as possible the the main entrance door of the gallery and cover it all with green tarpaulin bought from a DIY shop (if they don’t have green, please get blue) no gaps, no openings. Place the post cards that you’ll receive from Alex in the post next to the covered art, just simply straight on to the floor, one / two piles. (I need about 30 cards to be sent to Paris as well)Please put the attached photo (caption in top left corner, left in green) from Alex’s flat in Vienna onto your homepage as the main image, if there is a problem with the portrait format, just turn it CC/W and leave it sideways. Also, use this email as the text for the page of the show, and print this email as received, dates, addresses and with the photo below, and simply tape it onto the inside of your front door / window facing outwards, find a good spot. (Please use the upside down text for all electronic / printed gallery invitations / information, if you lose the green / red colour on FB etc, no problem) date in red, my name crossed out, TWAT in capital letters) I / we will also need documentation of the show / window etc. Thank you so much. I might be in London, if so I’ll pop by!
and, Alex Ross will not attend the vernissage / opening for his show.
– Victor Boullet
ɹǝɯɯɐן ǝsıןǝ ʎq pǝʇɐɹnɔ

ɟnɹ xɐɯ

ssoɹ xǝןɐ / 25 June 2013

spןouʎǝɹ uʎʇɹɐɯ

ʇǝsıɹɐd ǝpnɐ

ɐʞıssıɯ uǝıɹpɐ

nןɐsɯǝן sıɹʞ

ɯnɐquǝzsɹıʞ ɐɥʇɹɐɯ
(VICTOR BOULLET) TWAT
uuɐɯpoɹq oıɹoʇʇıʌ

ʇoıʌǝuuoq ǝʇʇǝıןnɾ

ʇuoɯǝpnɐǝq ǝuıןnɐd

ǝƃpıɹquıɐq ɯɐpɐ

3102 ʎɐɯ 32 : ʍǝıʌ ǝʇɐʌıɹd

3102 ʎןnɾ 02 – ʎɐɯ 42

ɯoɔ˙oɟuıpǝǝɹqƃop˙ʍʍʍ//:dʇʇɥ : ǝɔɹnos

 ˙ɯǝɥʇ oʇ ƃuıɹɹǝɟǝɹ uǝɥʍ ǝsn osןɐ ןןıʍ ǝʍ ǝɯɐu ǝɥʇ sı ʇı ǝɹoɟǝɹǝɥʇ puɐ sǝxıɯ ǝsǝɥʇ ɹoɟ pǝsn ʎןʇuɐuıɯopǝɹd sı ɥɔıɥʍ ǝɯɐu ǝɥʇ sı ’pıɹqʎɥ‘ ɯɹǝʇ ǝɥʇ ‘ʇɔǝɹɹoɔuı ʎןןɐɔıuɥɔǝʇ ɥƃnoɥʇןɐ ˙sǝıɔǝds ǝɯɐs ǝɥʇ ɟo oʍʇ ǝɹɐ ʎǝɥʇ sɐ pıɹqʎɥ ɐ ǝʌɐɥ oʇ ǝןqıssodɯı sı ʇı ‘ɥɔns sɐ puɐ (sıɹɐıןıɯɐɟ sndnן sıuɐɔ) ɟןoʍ ɟo sǝıɔǝds-qns ɐ ǝɹɐ sƃop ןןɐ sɐ ʇɔǝɹɹoɔuı sı ’pıɹqʎɥ‘ ɯɹǝʇ ǝɥʇ ‘ƃuıʞɐǝds ʎןןɐɔıɟıʇuǝıɔs

 ˙ƃop pǝɹqǝɹnd ǝuo uɐɥʇ ǝɹoɯ ɟo xıɯ ɐ sı ʇı suɐǝɯ ɥɔıɥʍ ‘pıɹqʎɥ ɐ sı ʇı ؛ pǝǝɹq ɐ ʇou sı ƃop pıɹqʎɥ ɐ : ǝʇou ǝsɐǝןd ˙noʎ ɹoɟ ʇou sı ƃop pıɹqʎɥ ʇɐɥʇ uǝɥʇ ‘ǝןʎʇsǝɟıן ɹnoʎ ɹoɟ pǝʇıns sı xıɯ ǝɥʇ uı spǝɹqǝɹnd ǝɥʇ ɟo ǝuo ɟo ʇuǝɯɐɹǝdɯǝʇ ǝɥʇ ןǝǝɟ ʇou op noʎ ɟı ˙ʎןʇɐǝɹƃ ʎɹɐʌ uɐɔ ‘ɹǝʇʇıן ǝɯɐs ǝɥʇ uıɥʇıʍ uǝʌǝ ‘sƃop ǝɥʇ uı sǝɔuǝɹǝɟɟıp ǝɥʇ ǝsnɐɔǝq xıɯ pıɹqʎɥ ןɐnpıʌıpuı ɥɔɐǝ ɟo sʇuǝɯɐɹǝdɯǝʇ ǝɥʇ ʇǝɹdɹǝʇuı oʇ ʇdɯǝʇʇɐ ʇou sǝop ɹǝʇuǝɔ oɟuı pǝǝɹq ƃop ǝɥʇ ˙spǝǝɹq ןןɐ uı punoɟ sɔıʇsıɹǝʇɔɐɹɐɥɔ ǝɥʇ ɟo ʎuɐ ɟo uoıʇɐuıqɯoɔ ʎuɐ ʇǝƃ uɐɔ noʎ ʍouʞ puɐ ssoɹɔ ǝɥʇ uı spǝǝɹq ןןɐ dn ʞooן oʇ sı pǝǝɹq pǝxıɯ ɐ ɟo sʇıɐɹʇ ǝɥʇ ǝuıɯɹǝʇǝp oʇ ʎɐʍ ʇsǝq ǝɥʇ ˙ɹɐןndod ǝʇınb ƃuıɯoɔǝq ǝɹɐ ‘ɯǝɥʇ ןןɐɔ ǝɯos sɐ sƃop ɹǝuƃısǝp ɹo ‘sƃop pıɹqʎɥ

 ’˙uoıʇısodɯoɔ ɹo uıƃıɹo pǝxıɯ ɟo ƃuıɥʇǝɯos‘ ‘suɐǝɯ pɹoʍ ǝɥʇ ‘ןɐɹǝuǝƃ uı ’˙sǝɔɐɹ ɹo ‘sǝıɔǝds ‘sǝıʇǝıɹɐʌ ʇuǝɹǝɟɟıp ɟo sןɐɯıuɐ ɹo sʇuɐןd ƃuıpǝǝɹq ʎq pǝɔnpoɹd ƃuıɹdsɟɟo ǝɥʇ ʎןןɐıɔǝdsǝ ‘ʞɔoʇs ɹo sʇuǝɹɐd ɹɐןıɯıssıp ʎןןɐɔıʇǝuǝƃ ɟo ƃuıɹdsɟɟo ǝɥʇ‘ suɐǝɯ sɔıʇǝuǝƃ oʇ ƃuıɹɹǝɟǝɹ uǝɥʍ ’pıɹqʎɥ‘ pɹoʍ ǝɥʇ

˙ʍǝıʌ ǝʇɐʌıɹd ןɐuoıʇıppɐ uɐ ƃuıɹnp ʇuǝʌǝ ןɐıɔǝds ɐ ɥʇıʍ pǝʇɐɹqǝןǝɔ ǝq ןןıʍ ’sǝxıɯǝɹ‘ ɥɔns ˙ǝɔɐds uoıʇıqıɥxǝ ǝɥʇ uı sʞɹoʍʇɹɐ ǝɥʇ ɟo uoıʇɐןןɐʇsuıǝɹ puɐ ǝsɐǝןǝɹ ssǝɹd ɐ ƃuıʇnqıɹʇuoɔ sı ɹoʇɐɹnɔ ɥɔɐǝ ˙3102 ‘ʎןnɾ 5 uo ɯnɐquǝzsɹıʞ ɐɥʇɹɐɯ ʎq puɐ ǝunɾ 52 uo ssoɹ xǝןɐ ʎq pǝɹnƃıɟuoɔǝɹ ʎןןɐɔıʇǝɹoǝɥʇ puɐ ʎןןɐıʇɐds ǝq ןןıʍ uoıʇıqıɥxǝ ǝɥʇ

˙ɟnɹ xɐɯ puɐ spןouʎǝɹ uʎʇɹɐɯ ‘ʇoıʌǝuuoq ǝʇʇǝıןnɾ & ʇǝsıɹɐd ǝpnɐ ‘ɐʞıssıɯ uǝıɹpɐ ‘nןɐsɯǝן sıɹʞ ‘uuɐɯpoɹq oıɹoʇʇıʌ ‘ǝƃpıɹquıɐq ɯɐpɐ & ʇuoɯǝpnɐǝq ǝuıןnɐd ʎq sʞɹoʍ ƃuıʇsıxǝ puɐ pǝuoıssıɯɯoɔ ʎןʍǝu sʇuǝsǝɹd ʇı ˙ןǝdɐɥɔǝʇıɥʍ oʇ uoıʇɐɔoןǝɹ s’ǝןoɔ ƃuıʇɐɹqǝןǝɔ ʍoɥs dnoɹƃ ɐ sı ƃop uɐǝuɐɹɹǝʇıpǝɯ ǝɥʇ





  Victor Boullet, Alex Ross, Cole, London